Ouverture 2 : Le miroir

Concert

Tue 1 June 2021 ,
5 p.m. , 7 p.m. ,
Wed 2 June 2021 ,
7 p.m. , Thu 3 June 2021 ,
7 p.m.
Le CENTQUATRE-PARIS, Atelier 4
Access plan
Full : 18 €
Discount Price : 15 €
ManiFeste & Young Cards : 10 €

Reserve

En live
Duration: 50mn (without interlude)
Program (in French)

Broadcast in live audio on Wednesday, June 2 at 7pm

Content:
<h3></h3> Master of the theater of repetition and of small differences, the Austrian Bernhard Lang meets IRCAM for the first time and spatial immersion realized under an ambisonic dome. His Mirror Stage draws from Lacan, from the combination of games and the "I". For Lacan, the mirror stage is that jubilant moment when the child discovers himself for the first time as an image of the "I", before becoming a subject. In Lang's device, the function of the mirror is both temporal and spatial: electronic loops, multiplication of vocal simulation in space, borrowing from the techniques of the Renaissance canon—in this case from a motet by Palestrina. In the center of this fascinating hall of mirrors shine the voices of the Belgian ensemble HYOID, the incantatory shamanism from Lacan, the encounter with others and the face from Emmanuel Levinas. HYOID Els Mondelaers mezzo-soprano Fabienne Seveillac mezzo-soprano Andreas Halling tenor Tiemo Wang baritone Kobe Van Cauwenberghe electric guitar Lucas Van Haesbroeck lighting design Robin Meier IRCAM computer-music design  Bernhard Lang Game 245 “The Mirror Stage” - French premiere

Master of the theater of repetition and of small differences, the Austrian Bernhard Lang meets IRCAM for the first time and spatial immersion realized under an ambisonic dome. His Mirror Stage draws from Lacan, from the combination of games and the "I". For Lacan, the mirror stage is that jubilant moment when the child discovers himself for the first time as an image of the "I", before becoming a subject. In Lang's device, the function of the mirror is both temporal and spatial: electronic loops, multiplication of vocal simulation in space, borrowing from the techniques of the Renaissance canon—in this case from a motet by Palestrina. In the center of this fascinating hall of mirrors shine the voices of the Belgian ensemble HYOID, the incantatory shamanism from Lacan, the encounter with others and the face from Emmanuel Levinas.

HYOID
Els Mondelaers mezzo-soprano
Fabienne Seveillac mezzo-soprano
Andreas Halling tenor
Tiemo Wang baritone

Kobe Van Cauwenberghe electric guitar

Lucas Van Haesbroeck lighting design
Robin Meier IRCAM computer-music design

Bernhard Lang Game 245 “The Mirror Stage” - French premiere

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Le live du concert « Ouverture 2 : Le miroir »

GAME 245 « The Mirror Stage » by Bernhard Lang

3 tips from Bernhard Lang, composer

3 tips from Bernhard Lang, composer 3 conseils de Bernhard Lang, compositeur

**HYOID, Game 245 The Miror Stage**
© Mark Rietveld & Transit 2020

Exectutive Producer HYOID | An IRCAM-Centre Pompidou, de Bijloke (Gent), Festival 20.21 – Transit (Louvain), Espace Senghor (Bruxelles) coproduction. Production IRCAM-Centre Pompidou. IRCAM and the CENTQUATRE-PARIS are partners for experimental performance projects.